“The serial killer is the (post-)modern monster. Transgressing, subverting, finally rendering meaningless the socially constructed divide between Reality and Fiction, he (it is usually a ‘he’) is both inscrutable and overdetermined. Simultaneously fascinating and repulsive (in private life and in the public sphere), he taps into personal fears and violates cultural taboos, ultimately inviting each of us to discover our own meanings in his madness. Haunting our dreams as well as our waking lives in the news, on television, in novels, and especially (most powerfully) at the movies, the serial killer seduces us in the manner of the traditional Gothic villain while horrifying us with the threat of pure evil.
Uncanny by nature, the serial killer in film represents both rejected/projected Other and possible/potential double for each and every one of us.” (p.3)
Ref: (italics in original, emphases in blue bold mine) Steven Jay Schneider (2002) ‘Introduction, Pt. II: Serial Killer Film and Television’ Post Script – Essays in Film and the Humanities 22(2), pp.3-6
Abstract: “In the introduction to ‘Post Script’s’ second special issue devoted to realist horror cinema, Schneider discusses the representation of the serial killer in motion pictures, viewing the figure as a vehicle for audiences to project their personal fears and their fascination with cultural taboos onto. He comments on films that portray the serial killer as a ‘supernatural being,’ such as ;Halloween,’ ‘Child’s Play,’ and ‘The Eyes of Laura Mars.’ Schneider also previews essays collected in the issue, which analyze particular movies, themes, conventions, and generic traits from a variety of theoretical perspectives.” (p.3)